Flu Vaccines Running Out:

You People Gonna Die

Flu Killing People:

Current Administration, Capitalism Accomplices

Banks Short of Cash:

They Don't Have Your Money

Elias wrote an excruciating book about surviving Auschwitz. I heard her five years ago, so can't quote her, directly, but she ended her speech by saying something like this:

I have this dream. I dream I am walking up to my family's home in Czechoslovakia. The windows are all lit up, and I know that everybody is well, and there, home, waiting for me. And then I awaken, and it's so sweet, because they were all there, clearly, and so sad, because it was only a dream. And that is what I'd like to tell you today -- if you are lucky enough to be going home later, and the lights of your house are bright, and your family is all there, waiting, you should stop and savor it as the precious gift it is, because someday it too will be just a dream.

ALL THAT JAZZ: In the film "Erin Brockovich," Julia Roberts played a working-class mom with a penchant for short skirts who, despite being constantly underestimated by men, ultimately manages to secure the largest class-action settlement in American history. But according to the Wellesley News, an all-female jazz band hired locally during the filming of Ms. Roberts's latest film has filed a gender discrimination complaint with the Equal Employment Opportunity Commission against the actress and her production company, saying that they were paid half what an all-male band was getting in the same film. As band member Jeanne Daly told the paper: "I find it amusing that we have to 'Erin Brockovitch' Erin Brockovitch for [the] hypocrisy of gender discrimination."

"Ed come home, every time he come home, he be like, 'Them crackers shaking. They going crazy. They don't know what to do. They shaking. They can't talk to Ricky. They're like some crackheads running around there.'"

John Doerr of Kleiner Perkins Caufield & Byers mused that no significant company in the Web era would be created "east of Reno."

I'd seen it before with other teams. It was another "Lord of the Flies" situation. The leadership vacuum had created a breakdown in moral behavior. Like in William Golding's famous book, "The Lord of the Flies," the group had deteriorated into anarchy, with some members resorting to cruel control tactics to assure their own dominance and survival. Newcomers were mistreated, positive acts were sneered at, rude and cruel treatment of teammates prevailed, management's directions were ignored or challenged, and customers were barely served.

The circumstances leading up to this situation, were predictable: a weak leader, or a series of many leaders over a short period of time; a hardened, cynical group of workers; a few positive employees; a band of negative employees, who filled the power void with intimidation and retaliation as their weapons; and some fence-sitters, who kept their heads down and their mouths shut.

The new leadership team had to take back control and restore order and civilized behavior. But where to start? First, we needed to get a clear picture of what we were dealing with. I lead the management team through a process to determine where each member of the team fit: positive leaders, negative leaders and fence sitters. As we stood back and took a look at the finished product, the picture emerged -- most of the employees were either fence-sitters or positive, with only a handful of negative, bitter leaders at the other end.

Actress Joey Lauren Adams, the squeaky-voiced girlfriend in "Big Daddy" and the Amy of "Chasing Amy," was arrested Friday in San Diego on suspicion of drunken driving after she allegedly kept running into a curb in a gas station. She's 38, and how did Joey Lauren Adams get to be 38?

In addition, the Pakistani contingent in Somalia looked at the Somalis with contempt and committed various human rights violations, including beating the Somalis with sticks. These actions led to Mohammed Farrah Aideed's group ambushing and killing 24 Pakistani soldiers. As a result, U.N. authorized UNSCOM to take all necessary measures against those responsible for the armed attacks. This later contributed to the deaths of American soldiers in the tragic incident recalled in the film "Blackhawk Down." [sic, and emphasis mine]

"I voted for what I thought was best for the country. Did I expect Howard Dean to go off to the left and say, 'I'm against everything'? Sure. Did I expect George Bush to f - - - it up as badly as he did? I don't think anybody did," Kerry told the youth-oriented magazine.

Playboy's editors take a bow for being at the forefront of every liberal cause of the past half-century, including civil rights, equal rights, gay rights, birth control, gun control and abortion. Call me naïve, but somehow I think these social movements would have taken place with or without a magazine that was nearly named Stag Party.

Worse yet, Mr. Kaminsky has rounded up the usual suspects to decry the brown shirts currently running the country: "America's leading literary light," Norman Mailer, says with a straight face that the Bush administration went to war in Iraq because "an escape was needed from our problems at home." Not to be outdone, Hunter S. Thompson claims that he's "personally embarrassed by the fascist sink these [expletive]-eating greedheads from Texas have plunged us into." With Manson-like flair, he goes on to say, "Those pigs deserve to be boiled in their own oil."

Forgive me, Ms. Wolf, but perhaps the least offensive thing in this issue is the centerfold of Playboy's 50th Anniversary Playmate, Colleen Shannon, whose turn-ons include "vinyl, positivity, supportiveness, artistic abilities, and a good sense of humor."

There is a museum in Tokyo dedicated to Japan's ample history of warfare. But if you visit the plainly named Military Museum, you will find no reference to the grotesque medical experiments the Japanese army conducted in World War II or the sex slaves it kidnapped. The Rape of Nanking, when rampaging Japanese troops raped and murdered hundreds of thousands of Chinese, is airbrushed into the "Nanking Incident'' and the facts are said to be uncertain. Civilian deaths aren't mentioned at all until the Americans begin firebombing Tokyo in 1944.

This is par for the course. In Japanese textbooks the relentless quest of military domination that so marked that nation's conduct in the 20th century gently morphs into a brave struggle for independence against a hostile world.

Nor is the museum a relic of the equivocating past. It opened just last year. "The museum's jingoism begins in the very first room,'' wrote Howard French in the New York Times. "There, a saber adorned with gold braid, an ancient relic from the Imperial Palace guard, hangs, dramatically lit, above a block of text glorifying 2,600 years of independence, secured by valiant warriors against unnamed invaders.''